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ANNE Move ONE: THE ORPHANAGE SCENE opens belatedly ane dark. A cop automobile pulls into frame inadditionto parks beside a big residential complex. The driver door opens, too a uniformed officer gets out, adjusting himself inadditionto sauntering upward the frontend steps. A plaque on the door reads: The Hands Transition House for Wayward Girls. No i answers when he knocks, so the officer lets himself inward. Cutting TO: Within the complex. The officer walks downwards a darkened hallway towards the main businessoffice of Mr. Hands. His transitional facility is a authorities sponsored orphanage that, according to say regulations, is supposed to release its orphans onetime they turn xviii. But, Mr. Hands has discovered a much toagreaterextent lucrative way to retain them. He has built a secret room inwards the dorsum of his belongings where he moves the girls inonecase they comeup of age. Atthatplace, he tin hold them occupied to backup his other concern ventures aswellas no i from the establishment ever needs to know. But the officer knows. That is why he is hither. He has been accepting bribes for years. When he enters the businessoffice, he walks inward on Mr. Hands, dressed inward a smoking jacket, receiving a blowjob from ane of his girls. The 18- year- old orphan is muddied inadditionto half- naked, resting on her hands aswellas knees to service the corrupt proprietor. She doesn' t fifty-fifty appear upwards as Mr. Hands casually invites the officerto sitdown downward. ' Sorry, I didn' t look you tonight! He laughs. The officer is used to the man' s consummate lack of discretion togetherwith curtly requests his monthly envelope. As he tardily takes it out of his pocket, Mr. Hands boasts to the officer about businessorganisation. He has a fresh acquisition: an 18- year- old orphan named Anne. The cutie had been dumped on his doorstep years agone togetherwith grew upwardly inward the orphanage. Despite beingness abandoned, she still holds out the nau00efve hope that ane meansolarday her dearest parents testament homecoming, fifty-fifty wearing a broken necklace left for her by her mother! Their conversation is intercut with tightly cropped shots of Anne b.