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ANNE Humanaction ONE: THE ORPHANAGE SCENE opens belatedly i nighttime. A cop motorcar pulls into frame aswellas parks beside a big residential complex. The driver door opens, inadditionto a uniformed officer gets out, adjusting himself too sauntering upward the forepart steps. A plaque on the door reads: The Hands Transition House for Wayward Girls. No ane answers when he knocks, so the officer lets himself inwards. Cutting TO: Within the complex. The officer walks downward a darkened hallway towards the main businessoffice of Mr. Hands. His transitional facility is a authorities sponsored orphanage that, according to tell regulations, is supposed to release its orphans onetime they turn 18. But, Mr. Hands has discovered a much morethan lucrative way to retain them. He has built a secret room inwards the dorsum of his belongings where he moves the girls onetime they comeup of age. Inthatlocation, he tincan maintain them occupied to backup his other businessorganisation ventures togetherwith no 1 from the establishment ever needs to know. But the officer knows. That is why he is hither. He has been accepting bribes for years. When he enters the businessoffice, he walks inwards on Mr. Hands, dressed inwards a smoking jacket, receiving a blowjob from i of his girls. The 18- year- old orphan is soiled too half- naked, resting on her hands aswellas knees to service the corrupt proprietor. She doesn' t fifty-fifty appear upwardly as Mr. Hands casually invites the officerto sitdown downward. ' Sorry, I didn' t await you tonight! He laughs. The officer is used to the man' s consummate lack of discretion aswellas curtly requests his monthly envelope. As he easy takes it out of his pocket, Mr. Hands boasts to the officer about concern. He has a fresh acquisition: an 18- year- old orphan named Anne. The babe had been dumped on his doorstep years agone togetherwith grew upwards inward the orphanage. Despite beingness abandoned, she still holds out the nau00efve hope that i 24-hourinterval her love parents testament homecoming, fifty-fifty wearing a broken necklace left for her by her mother! Their conversation is intercut with tightly cropped shots of Anne b.

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